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Winter School is a rare opportunity to learn from some of the best players and the most creative instructors of Celtic music, while spending time in community with fellow musicians and music appreciators.
Learn MoreLearn MoreWinter School is an opportunity to learn tunes from some of the best players and the most inspiring instructors of Scottish music, spending time in community with fellow musicians and music appreciators, and just have fun!
The fiddle program is open to all melody players and runs concurrently with the smallpipes and guitar programs, giving players of all instruments a chance to learn from each other and to play together. If you are unsure if these classes are a good fit for you or your instrument, please contact Cayley@CelticArts.org
All music will be taught by ear. Fiddle/melody classes will be split into four self-assigned levels based on experience learning by ear. Your group will have a chance to learn from different instructors each day:
-Beginners (can play at least a D major scale, A major scale, and Twinkle Twinkle)
-Novice (can play 0-20 tunes, a little experience learning by ear or wants to learn at a slower pace)
-Intermediate (can play 20-100 tunes, has more experience learning by ear)
-Advanced (tune guzzlers)
We do not currently have a class for those who are completely new to their instruments.
You can feel free to switch groups throughout the program if you want more or less of a challenge!
Students arrive on Saturday morning, February 8th, after breakfast. The schedule will include group classes each day, sessions, evening ceilidhs, and a few fun extras. Attendees will also have the opportunity to learn pipe tunes direct from our piping instructors, attend the instructor concert, have the option to be part of our no-stress participant performance night, and more! Classes end on Wednesday, February 12th at noon. Students may choose to purchase a ticket to the Masters of Scottish Arts concert in Edmonds on Friday, February 7th.
“I went to fiddle camps in my teens and early twenties, but it’s been a good 15 years since I was last able to attend one. Spending this last week at Winter School felt like coming home. Everyone was so welcoming, the atmosphere was so inspiring, and the instructors were absolutely amazing!”
–Rachel, CAF Winter School fiddle student
Prices for the Fiddle/Melody Program include tuition, housing, and meals:
Jenna is from Lakewood, New York and is a graduate of Berklee College of Music. While studying, she was selected to receive the Fletcher Bright Award & and The American Roots Music Award – two honors given annually to one outstanding string player. She performs in a duo with Scottish harpist, Mairi Chaimbeul, Seamus Egan Project, & the Hanneke Cassel Band, and has performed with The Milk Carton Kids, Laura Cortese & The Dance Cards Darol Anger & The Furies, Old Blind Dogs and as a soloist at Symphony Hall with the Boston Pops. In addition to a busy touring schedule, Jenna teaches at music camps & courses throughout the year and is Assistant Professor in the String Department at Berklee College of Music.
Alasdair White is an exceptional exponent of west coast Scottish music and is widely regarded as one of the foremost Scottish fiddler players of his generation. He was born and brought up on the Isle of Lewis in the Outer Hebrides, a chain of islands of singular importance to Gaelic Scotland’s musical heritage and is perhaps best known as having been a member of Scotland’s seminal Battlefield Band for over 16 years, touring extensively in that time throughout North America, Europe, and Asia. Now resident in New York, Alasdair has performed and recorded as a guest with many of the best-known names in Scottish, Irish and Breton traditional music including Kathleen MacInnis, Julie Fowlis, Eddie Reader, Allan MacDonald, Manus Lunny, Nuala Kennedy, and Arnaud Ciapolino. Current ongoing projects include Daimh, the Alan Kelly Gang and of course, Battlefield Band. Alasdair also recently premiered a major commission at the Hebridean Celtic festival in Stornoway, an hour-long original piece entitled An Iuchair.
David is known as a Cape Breton fiddle-whisperer, for his in-depth teaching of that elusive style. He co-authored The DunGreen Collection (1996), an influential treatise on Cape Breton fiddling. He is also a composer and arranger. Many of his tunes have been recorded by Cape Breton musicians such as Buddy MacMaster, Carl MacKenzie, Jerry Holland, and The Rankins. David is also a Baroque violinist. His fluency in these two genres make him uniquely qualified to interpret the wild music of 18th-century Scotland. He has recorded over 80 CDs with many collaborators including Chris Norman, Suzie LeBlanc, Doug MacPhee, and numerous ensembles, as well as three groundbreaking Scottish-Cape Breton-Baroque recordings with his own ensemble Puirt A Baroque in the 1990s. David offers a monthly online Cape Breton teaching workshop called the Hobbit House Session as well as intensive online courses.
Called “one of the brightest fiddlers around today” (Brian O’Donovan, WGBH radio’s A Celtic Sojourn), multistyle violinist and champion fiddler Mari Black delights audiences around the world with her energetic playing, sparkling stage presence, and dazzlingly virtuosic fiddling. Mari's dynamic performances are infused with her sense playfulness and deep love of the history behind the music, as she weaves together driving dance tunes with beloved stories that bring the music to life. Raised on a rich blend of traditional musical styles, Mari burst onto the international stage when she became Scotland’s Glenfiddich Fiddle Champion, 2-time U.S. National Scottish Fiddle Champion, and 2-time Canadian Maritime Fiddle Champion, all within a three-year period. Ever since, she has been spreading her love for dance-based music, performing as a featured artist at performing arts centers, Celtic festivals, Scottish Highland Games, celebrated folk venues.